Oax Pick - King Crimson's "Vrooom"

After the release of Three of a Perfect Pair there was a ten year intermission. To make the explanation a bit simple (= my version), Robert Fripp has said that Crimson never cease to exist, but it can take pauses. And the band is not even its members, the band is the music, so when there is King Crimson music that has to be played and recorded, well, up jump the band and who's in it... differs. After TOOPP the gap was for ten years before there was new music that had to be played and recorded, this time by what would become known as The Double Trio, Fripp & Belew on guitars, Gunn & Levin on basses, sticks, whatever you call their instruments with THICK strings and Mastelotto & Bruford drums and percussion of various kind. There was also some samples and electronics. The first sign that showed us fans that the new King Crimson was not only speculations was a 30 minutes EP in 1994, "Vrooom", which was to be followed by full-length "Thrak" following year plus various live sets later. "Vrooom" consists of 6 track (the title track was later split into two, Vrooom and Coda: Marine 475) Four of the six tracks showed up on "Thrak", but in slightly different, more pollished versions. Looking back at the double trio version of Crimson and all their releases, "Vrooom" has always been my favourite, despite its shortness (most Beatles' albums were about half an hour long). The songs are rougher and tougher than the later versions, not with demo sound quality, more like early versions played by a hungry band really enjoying playing together again in a time when no-one knows what will become of it. Will it be more? A full-length album? Tours? Now we know the answer is yes to all these questions, but during the recording of "Vrooom" it sounds like "We're having some great songs, ideas, structures, let's try them, let's just have fun". That's why I like it so much. It sounds like they are really having fun with the new material. O'

Lost Track # 4 - Fire - John Mayall's Bluesbreakers

Who? John Mayall's Bluesbreakers
Where? Bare Wires (Decca)
When? 1968
Why? There can't be said much enough about John Mayall's importance as an expander of the definition of blues. What he did in the late 60's and early 70's is nothing but avant garde, progressive, psychedelic and sometimes even touching free form elements as in this particular track, Fire. It's situated as the fourth part of the Bare Wires Suite on the album of the same title. It's non-rhythmic freely floating, Mayall's wailing voice over the instruments, creating moments that makes me wonder: Could possibly Mats Gustafsson's band Fire! have taken their name from this track? I don't think so, but they should have. It would have been fair. And great. Anyway, it's a marvellous tune, a hidden gem.

 O'

Unique Rarity - Joxfield ProjeX guested by legendary Thomas Mera Garz

Self-Unit - Version Zero feat. Thomas Mera Gartz

This is the orgininal work in progress version of "Kenji Self-Unit" which in another version finally ended up on Numbers & Letters album.
It features the rare one and only guest appearance by legendary Thomas Mera Garz on drums & percussion. For people who have spend the last 50 years or so in a cave: TMG is the legendary stable-as-a-rock-but-makes-the-music-fly-light-as-a-feather drummer & percussionist of some of the most important psychedelic trance rock bands in Sweden ever: Pärson Sound, International Harvest, Harvest, Träd Gräs & Stenar and countless numbers of others. Thomas nowadays also create excellent music and videos. Go for Meramorr on Youtube and you'll find some other treasures.

Heard on Self-Unit - Version Zero is:
Thomas Mera Garz - Drums, percussion
Kenji Siratori - Voice + author of words
Nikke Ström (Yes, another legend in Sweden, but you who have left the cave already knows that) - Bass
Yan - Spiritual Mind
Oax - Guitars
Music & Production by Oax & Yan 2007 - Powered by Tin Can Music

Self-Unit - Version Zero feat. Thomas Mera Gartz by joxfieldprojex

Enjoy!

O'

The Video Hit ! ! ! - Joxfield ProjeX - Have I Been Here Before?

Is this the number 1 video hit by Joxfield ProjeX?
Well, what is a hit?
At least it's the most viewed Joxfield ProjeX video so far of a nice tune from the "Numbers & Letters" album.
Made by AltRev - Thanks a lot!



O'

Oax Pick - Ian Paice

Gillan, yeahyeahyeah, BlackmoreGloverLord, yeahyeahyeah.
BUT, the driving thunderous power force of the band was Ian Paice's drumming. Glorious and send down from the gods. A hard rock heavy metal percussion genius.
Now it was said!!!

We were happy to see the band playing live 4th of February 1973 in Gothenburg during their haydays.

Setlist:

Highway Star
Smoke on the Water
Strange Kind of Woman
Child in Time
Mary Long
Lazy
Space Truckin'

Encore:
Speed King
Lucille
(Little Richard cover)

I use to talk about this concert with my kids, remembering Ian Gillan saying "We're gonna play s song from our new album Machine Head, it's called Smoke on the Water". Those were the days.

O'

colonel XS - A Huge Waste of Time

words & soundscapes by colonel XS (from a collaboration with JoXfield ProjeX)

photo and lettering by [kaiser(schnitt)amboss/laszlo]



Yes,
you better get used.
In the pipeline in a future hopefully close to you there will be an album of some distinct collaborations between Joxfield ProjeX and multi-talanted artist colonel XS.
Be Ware! Be Aware! Keep your eyes and ears opened.

O'

Happy Eastern ! ! !

No matter if you're religious or non-religious - Happy Eastern To You ! ! !

Keep the improvised psychedelic free form space jazz & kraut music opened to your heart and mind ! ! !

Oax 'n' Yan

Joxfield ProjeX - Discography Part 2 - Nothing But Sofas

Joxfield ProjeX - Nothing But Sofas (CDR Tin Can Music 2005)

Encouraged by finding out that we had some music within after finnished our first recording sessions for 30 years in May 2005 we immediately decided to continue (see the Discography Part 1 post).
If "Dark White Morning" was the result of a week of instant composing we now wanted to try to make some structured songs and started to compose wildly. In 4 or 5 months we had about 50 songs, some almost completely finnish in composition, some just a small idea. A lot of them with lyrics.
"Let's make pop songs" we said.
In november 2005 we went to Kolpebo, a very small village in the middle of nowhere in the middle of Sweden. We borrowed the cottage from a couple of Yan's wife's friends.
A perfect place for noise and reflection, beer, whisky and nasty fastfood. No neighbours to disturb, no neighbours who did disturb. Full volume 24 hours a day.
All days filled with structures while trying to add some flesh to these skin and bones of songs and/or ideas. Every night before going to bed we ended with a ten minutes 100% improvisation which we also recorded (see Discography Part 3).

The result of the week was 13 tracks which became a new album, "Nothing But Sofas". 10 of them with vocals, 3 instrumentals. The lyrics was stories, existential reflections, some nods to Sartre etc etc. Maybe a bit pretentious, but it did work. We were very satisfied with the pop album structured project...

But....

Not too long after we'd finnished it and released it in November 2005 in our own way (20 home-made CDR copies given away to friends) we realised one specific thing:
We didn't like it too much! (We listened much more to the companion "live" album of the 10-minutes night jam tracks)
Why didn't we like it? Don't know, but one reason amongst others was maybe that it was too early in our re-established career to try to perform a project of this kind. We were still too amateurish; the production, the playing, the singing isn't as good as it should on a record of this kind. But, the songs are good, the compositions are good. We should have waited at least 5 years before we made it. I think.

Obviously there were people who like it. Jerry Krantz of great Aural Innovations:

"Joxfield ProjeX were on a creative roll and in the same year released Nothing But Sofas, which they describe as their "pop" songs album. "Pop", of course, is a relative term when it comes to a band like Joxfield ProjeX. There are indeed songs, with composed melodies and vocals. But they are far from being pop music. I like the dreamy, drifting, pleasantly melodic quality of songs like "Prince Gong Climbes The Great Wall At Mutianyu" and "As Close As You Are". "Threadmill" is similar, but with heavenly, almost symphonic keyboards. Like some spaced out Nick Drake song. "Hell Is Other People" features chunky, pounding rock, with a dark, demonic prog rock edge. "La Thiene Plateau" is like some long lost Peter Hammill song. There's the dancey space-prog-pop of "This is Paradise" and the noisy "Industry Forever", which brought to mind a robotic dancey Chrome song. And on the flip side we also have the intense, driving progressive rock of the all instrumental "Bass Bass" and "Red Lantern", as well as the grandiose space rock of "Sirens of Titan", which reminded me of Quarkspace but with more of a symphonic edge."

Here a taster, the opening track of the album. Prince Gong was an interesting caracter 150 years ago, maybe the first link between ancient China and China of today (check the back history here: http://en.wikipedia.org/wiki/Prince_Gong_(Qing_dynasty)). In a fictional scenario we let him sit on the Great Wall at Mutianyu and reflect.
Never mind the false singing and the amateaurish playing, I think the melody and the lyrics is great and if anyone asked me today I would say it should have been a wonderful song for Robert Wyatt to sing in his outstanding wonderful way. Let's make it to the imposible dream project of the future!

And, yes, if you find some connections between the first line of the lyrics and the name of this blog.... well, you're not all wrong.

Prince Gong Climbes The Great Wall At Mutianyu by joxfieldprojex


PRINCE GONG CLIMBS THE GREAT WALL AT MUTIANYU
1
Memories of my illusion,
being Gong, the Loyal Prince
Used for Western Trade as a tool
is this the essence of life.
Sitting on the top of The Wall,
Mother Dowager Kangli,
Emperor Daoguang,
Why am I accused?
2
We´re all dead, but I can see you,
from the Wall at Mutianyu.
Fighting blameful for Old China,
a big shame defending West.
O, Mother, o, Father, you fools,
what is good with locking in?
A foe of our land?
Selling out our souls?
3
But now, with all influences,
prostitution for a dime.
Somewhere someone´s eating my Soul,
will Kon-Fu-Tze or Mao rule?
Consulting the Master of Mind,
force the people to unite.
lightning up my mind,
cannot see the guilt
4
What’s the future of our country,
what will China end up as?
Politics? Warfare? or Protests?
Business mindset? Industry?
Farmers? Religion? And Killers?
Beauty? Nature? Mostly Love?
Will this be the proof,
China red or pink?
5
Our life’s full of contradictions,
as I sit here, being dead.
Climbed The Great Wall at Mutianyu.
Here I watch my life again.
What is good is bad, that is life,
they´ll always try to teach us.
But we will know more,
only Love remain.
6
Yelling at you, the Bad Leaders,
telling lies behind your back.
They will use you as a scapegoat.
You know someone has to be.
At Mutianyu I saw future,
maybe false, maybe true,
Knew that I was right,
as the time will tell


There is no intension to make a physically re-issue of this album, but the curious ones can drop a line to oax.joxfield@gmail.com and receive a download zip-file of the album, including full lyrics insert. Put 'NBS' as a subject.

O'

Yeah, We Love Him, Mighty Daevid!

Daevid Allen performing "Whisky Oh!" with the Wild Zinnias. St Patrick's Day 2012, The Rails Hotel, Byron Bay, Australia. Film by Slim Pickins.

O'

The Myth...

O'

Another RARITY!!! Dark White House - House Version 2009

This is another true rarity from the Joxfield ProjeX vault.
The last track to be recorded during our first recording sessions at Camp Brana in May 2005 was Dark White House. The beats, the guitar riffs and the synth loops was recorded and then all ideas was completely lost, we were exhausted by this our first 24 hours a day of instant composing and the well seemed to have been running out of water. We were ready to get sober and return to civilization.
But, the basic track was so good, it would really have been a pity to leave it there.
Then, from out of nowhere, an idea came up: "Why not make a Gorecki?". The response was: "????". But, the idea was inspired by the beginning of Gorecki's 3rd Symphony, to start with chords with the dark, low, bass tones and then go lighter and lighter, find a crescendo and then turn back. But, in this tune the crescendo was loads of disonant and atonal key chords. The track was finnished and we did really like it, put it as the last track on disc 1 of the Dark White Morning album.

In 2009 Yan picked up the track again and made a house version of it to fill the dance floors with all these two-left-legged persons, just as us.
It could have been released as a 12" single but never was. Recently it was found in the vault and through this posting now saved to the word.
Get up and dance! Challenge yourself! Unleash!!

Dark White House - House Version 2009 by joxfieldprojex

O'

Holy Shit!!!! A Rarity!! Ola & The Jugglers - The Video!!!!

Holy Shit! Holy Cow!! Holy, Holy Whatever!!!!
Here's the video for the extended, previously unreleased, original "Ola & The Jugglers" track.
All of it. 25 plus minutes. A true rarity - never seen or heard like this before.
It's made by our favourite, psychedelic video-maker AltRev, alias György. It was ordered by me 'n' Yan late summer 2010 to use on a private release-party with TC3 to celebrate some new recordings we've made.
Some of these recordings ended up on "Voxluxrabax", our latest release, so far (but, don't worry, there will be more....). On the album is an edited version of Ola where the first 10 minutes of guitar banging terror is missing.
But, here's all of it! Only for you!!
The video begins with 20 seconds of silence, and then...... oh, Mah God!!!!
If your loudspeakers will shiver and shake, just nail them to the floor.
And dance!!!!!!

ThanX a lot, György!!!!

The album:
http://www.archive.org/details/JoxfieldProjex-VoxluxrabaxtinCanMusicVlr2011

György's Joxfield videos (and some more):
http://www.youtube.com/results?search_query=joxfield&search_type=&aq=f

And György himself:
http://axeofthegod.blogspot.com/
http://www.facebook.com/farkas.gy.antal

O'

171588

We're getting close to three years since our first free download releases, "Bits 'n' Pieces # 1 - 13" and "Picnic", both released by Clinical Archives on 5th of April 2009 with download source from Internet Archive.
Since then our nine albums have been downloaded 171.588 times. Quite a few... The BIG hit is "Shimmering Mah No 1" with more than 35.000 downloads.

http://www.archive.org/search.php?query=joxfield%20projex

O'

Endless Universes of Stars and Mountains

Endless Universes of Stars and Mountains by Pedantic Pedestrian

Pedantic Pedestrian sometimes show up with some great music and when hearing sample sources in this great music coming from us we're flattered. We like when people use our music as a tool to develop music of their own, it's nice and rewarding.

The words of his own:

"This is one of those pieces that was months in the making. You know the sort of thing. You record an idea, then forget about it. Then go back weeks later and see if you still like it. Then subject it to a bit of the old 'digital razorblade' if something seems to drag on too long. Then add another new bit. And so on.

It's also an imaginary soundtrack to something or other. Perhaps you can tell me what.

The voice is Lori "CC" Gomez, reciting a piece by Jack Kerouac (plus there's some of her own stuff buried in the "collage" sections). There are also samples of JOXFIELD PROJEX's "Computer #2" from their "Numbers & Letters" album. I wonder if they'll recognise themselves?"

To answer the question: Yes, the beat-masters do.
Great job, PP, spread the wings, continue to fly!

O'

Fingerprints of "The Sacred Method" on Recent Music Heroes

http://agier.blogspot.com/2012/03/joxfield-projex-sacred-method.html

Always nice to find some fingerprints of our music here and there.
We're grateful!

O'

Mwendo Dawa - Live at Montreux - THE VIDS!!!

What a surprise!
One day I write a couple of words on Mwendo Dawa's live album from Montreux 1979, and the other day I find two clips from the same concert.
"Life is funny, life is free, got all them goodies come up to me..." (T Kupferberg)
Enjoy!




And anyone who wants to explore this great band, these great musicians, check the web of Susanna and Ove's own label, lj-records:

http://www.lj-records.se

O'

Minty's Review on VoxLuxRabax

These are nice words to stumble over:

"Joxfield ProjeX, Sweden's leading purveyors of total-immersion freeform-psychedelic-kraut-space-rock-call-it-what-you-will music are back with another helping of... oh, let's not beat around the bush, it's good old honest-to-goodness NOISE! Which Is A Good Thing. If you've heard any of Oax' and Jan's previous works, you kind of probably know what to expect by now (and, presumably, have already made up your mind whether you like it or not!). Guaranteed to shake the cobwebs out of your belfry or make your coffee morning go with a swing. As they themselves say "This music should be played with full attention at any volume you like..."."

From minty's mews (http://ppmews.blogspot.com/2012/03/joxfield-projex-voxluxrabax.html)

ThanX a lot, Minty

And don't forget where to get the music for the same price as you pay for the air you breathe:

http://www.archive.org/details/JoxfieldProjex-VoxluxrabaxtinCanMusicVlr2011

O'

Oax Pick - Mwendo Dawa - Live at Montreux Jazz Festival

Mwendo Dawa - Live at Montreux Jazz Festival (Dragon LP 1980)

For me this was an important band in the latter part of the 70's, they belonged to the ones who opened up my ears for free music expressions. Me and TC3 used to go to the jazz club Nefertiti, drink some beer, listen to whoever was playing. Some of the bands were local bands of local fame and they consisted of marvellous musicians. Some of them made an extensive career, played abroad, and so.
In the beginning Mwendo Dawa was a big band, about 7 or 8 (or more?) members. Three drummers, two basses, Susanna on piano & keyboard and Ove J on tenor sax. For me the long solo's of Ove were the highlight of their gigs, often starting modest, but then turning into fire and free form wailing - and I really loved it. The band was always great, but for me Ove was the master.
From late 70's and on to these days they've recorded a huge amount of albums; Mwendo Dawa, other groups, duos, solos, whatever. Honestly I've only heard most of the MD's albums and not the rest. The albums are great, but never near the furious peeks of the band playing live. It can be my memory failing, but this is how I remember it. Here and there you can hear Ove's sax glow on the records, sometimes getting close to fire, and the band is a great band.
Of those five MD LPs I have in my collection this live album from Montreux is the one coming closest to my memories of them playing live at Nefertiti. It's mainly structured, the loose and free form moments are few. But, I strongly recommend it. It's recorded 1979 and released the year after.
The Band: Susanna Lindeborg (piano & keys), Ove Johansson (sax), Ulf Wakenius (guitar), Anders Jormin (bass) and David Sundby (drums)

O'

Joxfield ProjeX - Discography Part 1 - Dark White Morning

Joxfield ProjeX - Dark White Morning (2 CDR Tin Can Music 2005)

Having a back history of group names like Don & Mac, The Age, Stefan-Olofs Orkester, Viscously Cartilage, Andersson & Ek and others, Oax and Yan, the two members of our little combo took a short break in 1975.
This break happened to last for 30 years.
After a couple of years talking about "Wonder what it would be like doing some music again" finally in May 2005 we brought our simple equipment to Camp Brana and made some unprepared instant composing recordings for a week.
The result became Dark White Morning, a 2 CDR collection, about 90 minutes of music. It's unpolished and raw, almost no editing or treatments, just us playing live in the cold living room of this badly heated cottage. Very amateurish and innocent, but also a very important first step for Joxfield ProjeX.

At the end of the week it was self-printed in about 20 copies and given away to friends (or enemies some would say when hearing the music). Almost no-one heard it. Daevid Allen received a copy and wrote some nice words about it, especially about Day Clubbing, the wild disco rave tune you'll find below.

Day Clubbing by joxfieldprojex

There is no intension to make a physically re-issue of this album, but the curious ones can drop a line to oax.joxfield@gmail.com and receive a download zip-file of the album. Put 'DWM' as a subject.

O'

Swedish Azz & Gunnar Lindgren & Gilbert Holmström - Nefertiti 2012-03-02

Mighty Mighty Mighty!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Two days ago Oax n Yan, the infamous duo of JoxProX + MCN, the official president of the unofficial JoxProX fan club + Wolf, ehhr, The Wolf, took our long legs in direction to the legendary jazz-blues-freeform-whatever club Nefertiti to watch and listen to Swedish Azz, Mats G's and Per Åke H's band who pays and plays tribute to known and unknown treasures from the Swedish jazz scene of mainly the 50's and 60's and put it into context of today. This night they were guested by Gunnar Lindgren and Gilbert Holmström, two legends!
The concert lasted for maybe 2 hours, probably one of the 10 best concerts we've ever been at (and I'm talking about loads of concerts over the last 40 years).
The track above is the encore.

Below you'll find Gilbert's composition 'Fåglarna' (The Birds), here played for the second time ever (the first time was on Swedish national radio 1966). An abstract, wonderful composition.



The vids shot by some DaniOost (thanX for this cultural deed) who we didn't notice, but from the angle point of view it could have been us, because it seems to be exactly from the position where we sat...


O'